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As a child, Pat was always stitching. Her dolls had hand-made
clothes, some made by her mother, others altered from child’s clothes originally made by her maternal grandmother. You could say it is in the genes! Lace making, particularly needlelace
has fascinated her for many years, which gives her the excuse to continue stitching.
She has a large collection of antique lace, much of which is fine
needlelace. As a result, she has been able to study at close hand its structure and design. Much of her early work was based on the designs found in her collection.
Pats next step was to experiment with thread colours and texture
changes but still maintain the stitch formation.
This led to interesting and exciting effects and a constant desire to experiment further. The ability to use a needle and to be so creative gives her a great deal of satisfaction. Her present work, though still very stitcherly, also involves the use of other mediums. Paper and felt give interesting dimensions to the work, along with machine embroidery, particularly lace like machining.
Pat considers herself more of a textile artist than a lace maker,
but the needlelace still remains her primary interest.
Some years ago she joined forces with Ros Hills to write a book of needlelace stitches. As a result of her love of needlelace, she has spent many years making and teaching and continues to teach at private workshops where ever there is a demand for the subject, as well as from her home. She has also exhibited work at numerous exhibitions including Madeira Fashion and Embroidery in Harrogate, 1989, 1992, 1994,and 1997 as well as working to commission.
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